While working as a gardener at Stockholm's Gröna Lund tivoli, I carried a wooden pinhole panorama camera loaded with 35-mm film around with me.

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The amazing lines, contours and silhouettes of Gröna Lund are surprisingly well-suited to being captured by pinhole camera – the amusement park is a huge assemblage of infrastructure, with the myriad overlapping and criss-crossing angles of the various buildings and wooden and metal structures, the seemingly endless ingenious confluences and crossings of beams, tracery and buttresses.

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The pictures I present here represent what I believe is a completely new way of looking at Gröna Lund. Perhaps it's something like the way visitors feel at the end of a day spent in the park, their senses spinning after so many strong impressions, and perhaps a little dizzy from going on the roller-coasters; tired and happy, and taking home with them a heady mix of memories, sights, sounds and colours.

 

The foreword is in French and English.

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Financial support from the King Gustaf VI Adolf's fund for Swedish Culture and from the Swedish author fund has made publication of this book possible.